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June 30, 2022

Archive for July 27, 2007

MUSIC: Tzadik ke Tamar Ifrach

Listen to the file by clicking on the Flash player’s button below:

Tzadik ke Tamar Ifrach
a song by Baal HaSulam
Tzadik ke Tamar Ifrach

1. Download Instrumental Version
2. Download Electronic Version performed by the band “Bnei Baruch”
3. Download Instrumental Version performed by the band “Bnei Baruch”
4. Download Vocal Version performed by Rabbi Baruch Shalom HaLevi Ashlag (Rabash)

Basically, there are two states in every song. One is the state of the Kli, the soul on which man has worked, corrected, and then attained delight and excitement; and he now sings from this delight.

This is why in Tzadik ke Tamar Ifrach there is a sensation of the previous state when one lacked fulfillment, suffered, and searched, and that he reached the state in which he knows that this is how it was supposed to be, because a righteous man eventually comes to justify the entire process through which he passed.

Thus, the rapture that comes from before being in the outermost oppositeness of sensing himself very distant from the Creator, and now entering the palace of the King, the Upper World, bursts out in his present state in the form of a melody—from within the sensation that fills him.

This sensation encompasses two opposite states: his previous, most distanced state that seems hopelessly far from the Upper, and the present state when he has reached adhesion with Him.

In essence, this song is special because what one is grateful for is not his state. Rather, one is grateful for being able to be righteous, meaning for being able to justify the Creator in all that happened to him on his path. Now he sees the causality and the pressing necessity of all the states that he passed. He understands that all of them were arranged for him from above so that he can attain this elevated state.

Rav Michael Laitman, PhD in the film “Melodies of the Upper Worlds – Part 1.” See it at Kabbalah TV in the “Films” category. You may also download the film’s transcript here.

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